to Alexander: more on THEATRE OF THE UNIMPRESSED

Alexander, Wow. Your review of Theatre of the Unimpressed is an exceptional essay, an absolutely riveting read. But I just can’t agree with some of what you say — and this is not primarily about your opinions regarding the book, but about your claims regarding theatre

to Alexander: more on THEATRE OF THE UNIMPRESSED

Alexander, Wow. Your review of Theatre of the Unimpressed is an exceptional essay, an absolutely riveting read. But I just can’t agree with some of what you say — and this is not primarily about your opinions regarding the book, but about your claims regarding theatre

avant-garde performance and the popular: on Jordan Tannahill’s THEATRE OF THE UNIMPRESSED

I don’t think I’ve ever been more excited about the release of a theatre book than when Jordan’s Theatre of the Unimpressed came out this April. But as tends to be the case with works for which I have big,

avant-garde performance and the popular: on Jordan Tannahill’s THEATRE OF THE UNIMPRESSED

I don’t think I’ve ever been more excited about the release of a theatre book than when Jordan’s Theatre of the Unimpressed came out this April. But as tends to be the case with works for which I have big,

what plays want: thoughts on new play development in Canada

What do plays on a page want, need, and demand from us? How can we encounter these plays in an open, imaginative manner? How do we, as dramaturgs and theatre makers, determine how, and even if, these plays ultimately enter the theatre? What

what plays want: thoughts on new play development in Canada

What do plays on a page want, need, and demand from us? How can we encounter these plays in an open, imaginative manner? How do we, as dramaturgs and theatre makers, determine how, and even if, these plays ultimately enter the theatre? What

On the controversy surrounding LITTLE DEATH: to Daniel Karasik, Erin Brubacher, and the Canadian theatre

I first read Daniel Karasik’s play Little Death a few years ago. It immediately struck me as a remarkable achievement. On the one hand, it was a dense literary document: a challenging dramatic poem, exciting to read and read again.

On the controversy surrounding LITTLE DEATH: to Daniel Karasik, Erin Brubacher, and the Canadian theatre

I first read Daniel Karasik’s play Little Death a few years ago. It immediately struck me as a remarkable achievement. On the one hand, it was a dense literary document: a challenging dramatic poem, exciting to read and read again.

In Calgary: Ghost River Theatre and Alberta Theatre Project’s THE LAST VOYAGE OF DONALD CROWHURST

I’ve been in Calgary since January 13th 2015. I flew in from Frankfurt to work with Mark Lawes and Theatre Junction’s company of artists on their new creation Everybody Knows This Is Nowhere, which premiered at the Grand at the

In Calgary: Ghost River Theatre and Alberta Theatre Project’s THE LAST VOYAGE OF DONALD CROWHURST

I’ve been in Calgary since January 13th 2015. I flew in from Frankfurt to work with Mark Lawes and Theatre Junction’s company of artists on their new creation Everybody Knows This Is Nowhere, which premiered at the Grand at the

Offener Brief an Innensenator Henkel

Mainz, den 10.11.2014 Sehr geehrter Herr Henkel, Nachdem ich einige Jahre im kanadischen Theatersystem gearbeitet habe und nun inmitten des Mauerfalljubiläums nach Deutschland zurückgekehrt bin habe ich die öffentlichen Feierlichkeiten mit viel Interesse verfolgt. Erlauben Sie mir deshalb einige Gedanken

Offener Brief an Innensenator Henkel

Mainz, den 10.11.2014 Sehr geehrter Herr Henkel, Nachdem ich einige Jahre im kanadischen Theatersystem gearbeitet habe und nun inmitten des Mauerfalljubiläums nach Deutschland zurückgekehrt bin habe ich die öffentlichen Feierlichkeiten mit viel Interesse verfolgt. Erlauben Sie mir deshalb einige Gedanken

it’s a love story for the new age: on the formal relationship between theatre and new media

I’m talking about my generation/Talking about that newer nation/And if you don’t like it/ You can beat it, beat it baby —Lana Del Rey, “Brooklyn Baby” People far and wide have been talking and arguing about it: What is the

it’s a love story for the new age: on the formal relationship between theatre and new media

I’m talking about my generation/Talking about that newer nation/And if you don’t like it/ You can beat it, beat it baby —Lana Del Rey, “Brooklyn Baby” People far and wide have been talking and arguing about it: What is the